The existence of Michelangelo Merisi, referred to us as Caravaggio, was exceptional, portrayed by episodes of fighting, time in prison, expulsion, and murder. Emotional control of light exemplifies his canvases, dependence on human models, and numerous appearances in his artistic creations. Caravaggio has left barely any close-to-home records by his hand.
However, the understanding of his artworks by ages of craftsmanship antiquarians joined with late uncovered documented data give a rich history of the man and his time. They incorporate the investigation of the compositions, including style and procedure, mental experiences into the craftsman and subjects on account of pictures, chronicled examination of the time frame dependent on supporters, and an examination of strict significance through the topic's decision imagery.